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MIXING & MASTERING BLOG
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SPRING REVERBS: The Mechanical Magic Behind the Boing
Spring reverbs are one of those audio technologies that never lose their charm. There’s something raw, unpredictable, and beautifully gritty about them. Maybe it’s their long-standing connection to Reggae and Dub. Maybe it’s the physicality of the springs resonating in a metal tank. Whatever it is, spring reverbs bring a unique character that digital emulations still chase after.
Let’s dive into the history, mechanics, and sound of these fascinating devices.


THE API 2500+: Precision, Punch, and Musicality in Mastering
When it comes to stereo bus compression, few names inspire as much respect as the API 2500+. Built on decades of API design heritage, this unit has become a fixture in top studios for its ability to glue a mix while retaining musicality. While it’s widely used across mixing and tracking, the 2500+ has some particular strengths in mastering, especially if you know how to harness its flexibility.


EAR FATIGUE & TIME MANAGEMENT IN STUDIO
Whether you're producing, mixing, or mastering, you’ve probably found yourself deep in a session, only to realise hours have flown by and your ears are shot. That dull, worn-out sensation in your hearing? That’s ear fatigue. And if you ignore it, your decisions start to drift, and you may not even notice until the next day when the mix sounds nothing like you thought it did.
Let’s dive into what actually happens when your ears get tired, how to avoid it, and how smart time m


UNDERSTANDING SATURATION AND DISTORTION: THE SCIENCE BEHIND THE SOUND
Distortion is one of the most fascinating—and misunderstood—concepts in audio production.
On the surface, it seems simple: a gritty guitar tone, a saturated vocal, a tape-squashed drum bus.
But under the hood, distortion is incredibly nuanced and deeply tied to how we perceive sound.
In this guide, we’ll explore the different types of distortion, from tape and tube saturation to clipping.
We'll look at how they work, how they differ, where they overlap, and most important


SOUNDTHEORY - KRAFTUR
In the ever evolving world of audio production, tools that blend innovation with usability are rare gems. Enter Kraftur, the latest offering


SOUNDTHEORY - GULLFOSS EQUALIZER
A few months ago Sondtheory approaches me asking if I wanted to try their Gullfoss equalizer.
I'm always keen to discover new plugins and ne


10 MISTAKES TO AVOID WHEN MIXING (PT2)
Here we are with the second part of the ten mistakes to avoid when mixing.


10 MISTAKES TO AVOID WHEN MIXING (PT.1)
In today's article, I'd like to talk about some mistake not to do when mixing.
I hope this can be helpful to beginners and a good recap for


MY PULTEC TOP TRICKS
After publishing the article about my favourite EQs for mixing (click here) I've received tons of questions about Pultec EQs. I decide so...


MY FAV EQ PLUGINS FOR MIXING
Today I am going to talk a bit more about equalisation. After talking about my favourite compressors for mixing, in this article...


MY FAV COMPRESSOR PLUGINS FOR MIXING
Today I'm going to talk a bit more about compressors. In this article I'd like to tell you what are my favourite compressors...


TOOLS: COMPRESSORS
Today I'm going to talk about compressors. What are the main parameters? When do we use a compressor? And as usual, I'm going to give you so


TAPE MACHINES: HOW THE IPS AFFECTS THE SOUND
Today I would talk about one of the main parameters that affect the sound when using a tape machine (reel-to-reel) is the IPS (Inch Per Seco


COMPRESSION: 4 TOP TIPS
Continuing our "4 TOP TIPS" series I would give you some quick tip about compression.
Compressors are normally used to tame the dynamic,...


HOW TO START MIXING (GENERAL TIPS)
In this article, I would briefly talk about mixing and give you some quick and practical advices that could improve your technique...


VOICE: RECORDING AND MIXING ADVICE
In this article I would give you some general practical advices when dealing with...


USE A REFERENCE TRACK TO MIX THE LOW FREQUENCIES
In this tutorial I would talk about the low end of our mixes and how to use a reference track to get in the right ball park...


HPF & LPF FILTERS
We recently talked about EQ (Tools: Equalizers) and left a door open to talk about...


TOOLS: REVERBS
In this tutorial, I will talk briefly about reverbs. We'll explore the main parameters and at the end of the article you'll find some...


TOOLS: EQUALIZERS
The equaliser (EQ) is one of the core elements of mixing. I can mix a song with two or three compressors, but please give me at least one EQ


MIXING WITH HEADPHONES: 4 TOP TIPS
We have always been told not to mix entirely on headphone for many good reasons such as: spending too much time with headphones on...


DB AND METERS...WHO ARE THOSE STRANGERS?
In this article, I would go through a complex topic for most of the producers: dB.
There are many types of dB. Some are related to...


GAIN STAGING: 4 TOP TIPS
Gain staging is a very basic concept that often is misunderstood or under evaluate. A proper gain staging allow you disparate things like...
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